Giancarlo Castro D'Addona - Composer-Conductor

Giancarlo Castro D’Addona is an award‑winning composer, conductor, and trumpet player whose dynamic artistic voice has earned international acclaim. Recognized as one of the most distinguished musicians to emerge from Venezuela’s celebrated El Sistema program, he has forged a multifaceted career that spans orchestral, chamber, jazz, film, and contemporary music.

As a trumpeter, Castro performed with El Sistema’s most emblematic ensembles, touring more than 30 countries across the Americas, Europe, and Asia. His artistry led to collaborations with major international arts agencies, including Askonas Holt, Kajimoto, and the Sony Music Foundation, and to recordings on prestigious labels such as Deutsche Grammophon, EMI Classics, and EUROARTS.

Castro’s compositional language, shaped by Latin American traditions, jazz, electronic music, and film scoring, was nurtured under the mentorship of Colombian master Blas Emilio Atehortúa. His early works, including Brass Quintet No. 1, Trumpet Quartet No. 1, Trombone Quartet No. 1, and Swing Sonata, quickly gained international attention following premieres in Argentina and Spain.

His signature work, Grand Fanfare (2004), has become an international showpiece. It has been performed at Carnegie Hall, the BBC Proms at Royal Albert Hall, Walt Disney Concert Hall, the Berlin Konzerthaus, and by The President’s Own United States Marine Band at the U.S. Capitol. The piece appears on multiple commercial recordings, including releases on EMI Classics, EUROARTS, and GENUIN.

Another landmark composition, Rhapsody for Talents, was commissioned by Buffet Crampon to honor the company’s 190‑year legacy. Castro conducted the world premiere at the Théâtre du Châtelet in Paris and later led the Paris Symphony Orchestra in a celebrated performance at the Radio France Theater, becoming the first Venezuelan composer to conduct his own work in that venue. The work received a Gold Medal from the Global Music Awards.

Castro has significantly expanded the solo repertoire with works such as the Clarinet Concerto for Clarinet and Big Band, performed at the Salzburg Festival; the Concierto Sureño for violin, premiered in Finland and later performed in France and the United States; Euphantasy for euphonium, recorded by Bastien Baumet and the Portugal Air Force Band; and the Sonatina for Tuba, premiered by Carol Jantsch of the Philadelphia Orchestra. His Concerto for Saxophone and Orchestra was performed by Buffet Crampon artist Michel Supera in France.

His music continues to be performed worldwide by ensembles including l’Orchestre Symphonique d’Orléans, the Royal Academy of Music Symphonic Brass, the Boston Conservatory Brass Ensemble, the Giovanile Sinfonica Band Trentino, and the Interlochen Faculty Brass Ensemble, among many others. Several of his works have been selected as mandatory repertoire for international competitions in Europe.

Castro’s versatility extends into film and media. He composed the soundtrack for Maleficio, Venezuela’s first web‑streaming series, and served as composer, producer, and mixing supervisor for the films Redención and I, When the Heaven Is on Earth.

As a conductor, Castro has led ensembles across the Americas and Europe, including the Simón Bolívar Orchestra, Paris Symphonic Orchestra, Valentiana Orchestra, Twin Ports Wind Orchestra, and numerous youth and professional orchestras throughout Venezuela and Colombia. In the United States, his leadership has been embraced by major Portland‑area institutions: he serves as conductor of the Reed College Orchestra, the Portland Youth Philharmonic Wind Ensemble, the Metropolitan Youth Symphony Concert Orchestra, the Encore Brass Ensemble, and the BRAVO Community Orchestra. He has also served as a cover conductor for the Oregon Symphony and as interim conductor of the Portland State University Orchestra.

His works are published by Editions BIM (Switzerland) and distributed internationally through La Flûte de Pan, J.W. Pepper, HeBu, Just for Brass, Presto Music, Sheet Music Plus, Midwest Sheet Music, and others.

Recent commissions include Festival Quintet for the New World Symphony, Diversity for musicians of the Philadelphia Orchestra, Portland Beauty for Portland State University and the Oregon Symphony, The Mix of the Culturas for Enriching Lives Through Music (a Carnegie Hall–funded project), YOLA Fiesta Fanfare for the Youth Orchestra of Los Angeles, Encuentro Obertura Festiva for the Los Angeles Philharmonic (premiered at the Hollywood Bowl under Gustavo Dudamel), Rush for Carol Jantsch, Latidos Vinotinto for the Venezuelan National Soccer Federation, Journey for the Portland Youth Philharmonic’s centennial season, and De Mi Tierra, commissioned and premiered by the Oregon Symphony in 2024 and broadcast by All Classical Radio.

Today, Giancarlo Castro D’Addona continues to shape the contemporary musical landscape through his vibrant compositions, dynamic conducting, and deep commitment to artistic excellence.